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Sanjay Kishan Kaul labels MF Husain case as organised harassment

📅 Published: 5 Nov 2026, 07:34 am IST• 🔄 Updated: 5 Nov 2026, 07:34 am IST• 4 min read• 0 views
Painter MF Husain, whose work was subject to legal controversy, captured in a professional portrait photograph.
Painter MF Husain faced numerous legal challenges regarding his artistic work.
Key Points
  • Sanjay Kishan Kaul co-authored 'Without Fear or Favour' discussing the MF Husain case.
  • Kaul describes the multiple criminal complaints against Husain as 'organised harassment.'
  • The 2008 judgment ruled that the painting 'Bharat Mata' did not constitute obscenity.
  • Kaul cited historical Indian art, including temple sculptures, to defend artistic expression.
  • The book highlights the role of law clerks in shaping the judge's perspective on the case.

Former Supreme Court judge Sanjay Kishan Kaul and co-author Jay Vinayak Ojha released their book, "Without Fear or Favour," examining legal challenges faced by painter MF Husain. The authors characterize the legal actions initiated against the artist as a case of "organised harassment".

CJI Surya Kant addressed a Supreme Court Bar Association felicitation for newly elevated judges on November 4, 2026, where he discussed the court's workload. On November 4, 2026, Chief Justice of India Surya Kant addressed a Supreme Court Bar Association felicitation for newly elevated judges.

CJI Surya Kant stated that he considers a judge's ability to function as a "team member" a key factor for elevation. He also described the current workload of the court as being like a "T20 match" due to the high volume of filings.

Justices Sunita Agarwal, Aparesh Kumar Singh, and Devendra Kumar Upadhyaya took their oaths as Supreme Court judges on October 6, 2026. Justice Upadhyaya could not attend the recent function because he had to travel home due to an "unforeseen exigency at home".

SCBA President Pradeep Kumar Rai stated during the event that the Supreme Court's integrity must be protected. He added that institutional responsibility cannot be abandoned when individuals malign the judiciary.

The 2008 case and the abuse of legal process

In 2008 Justice Sanjay Kishan Kaul presided over the MF Husain case after it had been adjourned sixteen times by his predecessor. He described the multiple criminal complaints filed across India as "organised harassment masquerading as religious sentiment". Kaul limited his judgment to the specific work mentioned in the complaint, stating he was not there to pass judgment on the artist's entire oeuvre or character.

Defining obscenity in Indian law

Under that provision a work is obscene if it is lascivious, appeals to prurient interest, or tends to corrupt and deprave those who see it. Kaul cited the Ranjit Udeshi precedent, where a Mumbai bookseller faced prosecution for selling D.H. Lawrence’s "Lady Chatterley’s Lover". Supreme Court jurisprudence holds that nudity or sexual themes do not automatically render art obscene; the work must be assessed in its entirety, with artistic merit outweighing any alleged obscenity. Applying that test, Kaul concluded the painting was neither lascivious nor an appeal to prurient interest, and therefore did not meet the statutory definition of obscenity.

Historical context and the 'Bharat Mata' controversy

The painting popularly known as "Bharat Mata" acquired that title from an enthusiastic collector, not from Husain himself. Kaul referenced historic Indian art, citing temples at Halebidu, Belur, Khajuraho and a Jain temple in Jaisalmer, to illustrate a tradition of liberal artistic expression that supports the work’s legitimacy.

The role of law clerks in the judgment

Law clerks Radhika Arora and Radhika Biswajit Dubey assisted the author during his time at the High Court. The author noted that recruiting quality law clerks was difficult at the High Court, unlike at the Supreme Court, which had access to graduates from the National Law School.

Radhika Arora, who had family connections to the BJP–RSS, provided perspective as an artist. She initially questioned the author's approach to the case because of public controversy regarding MF Husain's depictions of Hindu gods. She later understood the distinction between aesthetic and prurient nudity.

Radhika Biswajit Dubey initially felt that painting 'Bharat Mata' unclothed was inappropriate. She researched the law, the public mood, and the circumstances surrounding the creation of the painting. Some of her findings appeared in the final judgment.

Final ruling on the painting's legality

The court concluded that the complaints against MF Husain were an 'abuse of process'.

Frequently Asked Questions

What did Sanjay Kishan Kaul call the legal actions against MF Husain?
He described them as 'organised harassment masquerading as religious sentiment.'
Did MF Husain name his painting 'Bharat Mata'?
No, the title was given by an enthusiastic collector.
What legal standard did Kaul use to evaluate the painting?
He applied the standard that art is not obscene simply because it contains nudity, referencing the Ranjit Udeshi case.
Who assisted Kaul in his research for the case?
Law clerks Radhika Arora and Radhika Biswajit Dubey provided perspectives on the case.
How this story was made: written with AI assistance from the published reports and data linked below, then checked by automated filters that compare its facts against those sources. Spotted an error? Tell us and we will correct it. Our editorial policy.

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MF HusainSanjay Kishan KaulIndian JudiciaryObscenity LawArtistic FreedomWithout Fear or FavourLegal History
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